Corriere del Veneto presents the reopening of Palazzo Pisani Moretta as a new chapter for Venice, marked by the opening of the Fondazione Dries Van Noten and its inaugural presentation, The Only True Protest Is Beauty. The article frames the palazzo as a site of dialogue between historical heritage, applied arts, and contemporary research, where more than 200 works bring together fashion, design, craftsmanship, and international artistic perspectives.
