In Il Foglio, Dries Van Noten’s reflection on time, beauty, and the value of artisanal gesture offers a cultural perspective in which fashion, art, and craftsmanship meet as a form of resistance to immediacy. At the centre is the opening of the Fondazione Dries Van Noten at Palazzo Pisani Moretta in Venice, with the exhibition The Only True Protest Is Beauty, a project that affirms beauty as a form of inquiry, attention, and transformation.

https://www.ilfoglio.it/moda/2026/04/18/news/il-tempo-torna-a-chi-accetta-di-perderlo-riflessioni-con-dries-van-noten–276677